Wednesday, January 12, 2011

A Word About Vintage Patterns

Vintage patterns are rare ephemeral treasures. Collectors look for specific qualities in the patterns they collect - the better preserved a pattern is, the more a collector is willing to pay and the less likely that collector is about to let it go to a non-collecting sewer. That being said it is far more affordable to purchase a vintage pattern whose envelope is torn and pattern tissues cut and marked than it is to purchase one that is uncut with factory folds in a pristine envelope. But if you must have it - YOU MUST HAVE IT! I have been known to splurge up to $35 for a rare, in excellent condition vintage pattern. In order to keep these patterns in collector quality condition I have developed several ways to preserve them while still getting use out of them.

There are several ways to "use" your vintage patterns while protecting them from degradation. The first way to save and use a pattern is a technique I reserve for patterns than have been severely used, abused, or neglected and will never again be considered of collectible quality. This process is also particularly useful if you are planing on using the pattern multiple times.

Begin by pressing your pattern tissue with your iron set to a low heat no steam setting (if you haven't learned this the hard way already, steam will shrink your pattern tissue). When the creases and crinkles are gone, set each piece aside on a flat surface until all your pieces are pressed. Then using the thinnest fusible interfacing you can find, adhere your pattern pieces to the interfacing. I prefer Pellon Quilters 1" Grid because using the grid allows me to resize a pattern as needed (something to talk about another day).


To do this simply lay your interfacing out on your ironing surface fusible side up. Adhere your pattern pieces right side up by aligning the straight of grain marker with one of the grid lines. Tack the pattern in place by using the tip of your heated iron (set to heat appropriate for the fusible interfacing) on the corners for a few seconds being careful not to allow iron plate to come into direct contact with the interfacing. When the pattern is tacked trim the interfacing to the edge of the pattern piece. To complete the fusing process press the pattern one section at a time. DO NOT slide the iron around on the pattern as this will cause it to wrinkle.

Another way to use your vintage patterns - those of a collectible quality - while preserving their integrity, is copying. To copy you can use most any kind of paper, butcher paper (which can come on very wide rolls), parchment paper, blank pattern paper (can be quite expensive), wrapping tissue or even regular old bond paper put together with a little tape. Use what you have on hand - don't spend a fortune if you are only going to use the pattern once. If you plan on using the pattern multiple times or will need to make alterations for fit then buy the best - pattern tracing material. This material is a very durable, non woven, semi transparent fabric that can be sewn together for fitting and altered by placing marks on the material.

Lay out your uncut pattern and press. At this point (depending on what kind of tracing material you are using) you will either lay your pattern paper on a clean light colored surface or light box and place the tracing paper or material over the top of the pattern. Take care to make sure there are no winkles in either pattern or paper then weight it down (I like to use my quilting rulers for this) and simply trace the pattern marks with a fine point, felt tip, marker or soft point pencil. If you are using pattern tissue or wrapping tissue be cautious about pressing too hard - the paper is delicate and tears easily. Check your marks frequently to be sure the pattern pieces aren't shifting during tracing. Be sure to copy all notes and markings pertinent to your sewing project. Coping is a wonderful option that allows you to use a pattern over and over leaving the original in its' uncut state, and while the process is time consuming, it is well worth the effort!

Want to give pattern tracing material try? Check out my shop listings for 5 yard increments and by the yard special orders http://www.etsy.com/shop/PiePoe 

Wednesday, January 5, 2011

Something a Little Different



Tree of Life Cowl
Designed by Susannah Reynolds Duelfer

Skill Level: Advanced Beginner (working this pattern in two colors is an Intermediate level skill).
Materials: 7.00 oz./200 g (130 yd/119 m) Super Bulky Yarn (pictured using 2 skeins Lion Brand Wool-Ease Thick & Quick in Oatmeal and a 20 yard remnant of Barley), N-15 (10 mm) hook.
Gauge: 7 sc and 8 rows = 4" (10 cm) on size N-15 (10 mm) hook

STITCH EXPLANATION:
  • FPdc (front post double crochet) Yo, insert hook from front to back then to front, going around the post of st, draw up a loop, (yo and draw through 2 loops on hook) twice. Skip st behind the FPDC.
  • FPtr (front post triple crochet) Yo twice, insert hook from front to back then to front, going around the post of st, draw up a loop, (yo and draw through 2 loops on hook) 3 times. Skip st behind the FPTR.
  • Reinforcing your FPdc's - it is necessary to reinforce your FPdc's to give the piece good cohesion, to do this capture the front loop of the skipped sc on the hook before you pull the yarn through the FPdc sts.

NOTES:
  • Front post sts are worked on odd-numbered rows (RS).
  • Always sk the sc behind a front post st.
  • Even numbered rows are always worked in sc.
  • Reinforce your FPdc's to give the piece good cohesion.
  • Work the cowl/scarf from the roots of the tree up.



Row 1: ch 16, dc in 4th ch from hook (TIP- crochet along the back of the chain to give your work a finished look), dc in each st until end of row (13 dc), ch 1 turn.


Row 2: sc in each st until end of row (13 sc), ch1 turn.

Row 3: sc in each of the next 5 sts, FPdc around the 4th dc in row 1, FPdc around the 7th dc in row 1, FPdc around the 10th dc in row 1, skip the 3 sc behind posts sts just made, sc in next 5 sts, ch 1 turn (11 sts).

Row 4: sc in each st until end of row remembering to reinforce your FPdc's (13 sc), ch 1 turn.


Row 5: sc in each of the next 5 sts, FPdc around the corresponding FPdc in Row 3, repeat for next 2 sts (3 FPdc), skip the 3 sc behind posts sts just made, sc in next 5 sts, ch 1 turn (13 sts).

Row 6: sc in each st until end of row remembering to reinforce your FPdc's (13 sc), ch 1 turn.

Row 7: sc in each of the next 5 sts, FPdc around the corresponding FPdc in Row 3, repeat for next 2 sts (3 FPdc), skip the 3 sc behind posts sts just made, sc in next 5 sts, ch 1 turn (13 sts).

Row 8: sc in each st until end of row remembering to reinforce your FPdc's (13 sc), ch 1 turn.

Row 9: sc in each of the next 4 sts, remembering to sk all sc behind FPdc’s; FPdc around the 1st FPdc in row 7, FPdc around the 3rd FPdc in row 7, going underneath the FPdc just made FPdc around the 2nd FPd, going over the two center FPdc’s just crochet and under the 1st FPdc in row 9 - FPtc around the 1st FPdc in row 7, FPdc around the 3rd FPdc in row 7, sk the sc behind FPdc’s, sc in next 4 sts, ch 1 turn (13 sts).


Row10: sc in each st until end of row remembering to reinforce your FPdc's (13 sc), ch 1 turn.

Row 11: sc in 1st st, FPtc around the 1st FPdc in Row 9, sk the sc behind FPtc, sc in next st, FPdc around the 1st FPdc in row 9 over the top of the FPtc, sk the sc behind FPdc, sc in next st, FPdc around the 2nd FPdc in row 9, FPdc around the 3rd (center) FPdc, FPdc around the FPtc in row 9, sk the 3 sc behind FPdc's, sc in next st, FPdc around the last FPdc in row 9, sk the sc behind FPdc, sc in next st, FPtc around the last FPdc in row 9 under the previous FPdc, ch 1 turn (13 sts).

Row 12: sc in each st until end of row remembering to reinforce your FPdc's (13 sc), ch 1 turn.

Row 13: sc in 1st st, FPdc around the 1st FPdc (2nd post st) in row 11, sk sc behind FPdc, sc in next 2 sc, FPdc around the 2nd FPdc (3rd post st) in row 11, sk the sc behind FPdc, sc in next st, FPdc around the 3rd FPdc (center) in row 11, sk the sc behind FPdc, sc in next st, FPdc  round the 4th FPdc in row 11, sk the sc behind FPdc, sc in next 2 sts, FPdc around the 5th FPdc in row 11, sk the sc behind FPdc, sc in next st, ch 1 turn (13 sts).

Row 14: sc in each st until end of row remembering to reinforce your FPdc's (13 sc), ch 1 turn.

Row 15:sc in each of the next 2 sts, FPdc around the 2nd FPdc in row 13, sk the sc behind FPdc, sc in next 2 sts, 3FPdc around the 3rd FPdc in row 13, sk the 3 sc behind the FPdc’s, sc in next 2 sts, FPdc around the 4th FPdc in row 13, sk the sc behind FPdc, sc in next 2 sts, ch 1 turn (13 sts).

Row 16: sc in each st until end of row remembering to reinforce your FPdc's (13 sc), ch 1 turn.

Row 17: sc in each of the next 4 sts, FPdc around the 2nd FPdc in row 15, sk the sc behind FPdc, sc in next st, FPdc around 3rd FPdc in row 15, sk the sc behind FPdc, sc in next st, FPdc around the 4th FPdc in row 15, sk the sc behind FPdc, sc in next 4 sts, ch 1 turn (13 sts).

Row 18: sc in each st until end of row remembering to reinforce your FPdc's (13 sc), ch 1 turn.

Row: 19: sc in each of the next 6 st, FPdc around the center FPdc of row 17, sk the sc behind FPdc, sc in each of the next 6 st, ch 3 turn (13 sts).

                       BACK                                                         FRONT

Body: *dc in each of the 1st 3 sts, hdc in the each of the next 5 sts, sc in each of the last 5 sts, ch 1 turn (13 sts) sc in each of the 1st 5 sts, hdc in each of the next 5 sts, dc in each of the last three sts, ch 3 turn (13 sts). Repeat from * until desired length of curve is achieved.

Finishing: sc in each of the the 13 sts for 20 rows.

StitchinCrochet symbol font created by Adriana E. Hernandez and published by Adriprints. Available for purchase at http://new.myfonts.com/fonts/adriprints/stitchin/.

As a courtesy to the designer please do not copy and distribute this pattern without permission. You are free to make and sell the product of this design but the creator asks that you acknowledge that the pattern is not your own. Thank you. susannahsstash@gmail.com